CrashIt was a few days after September 11 that I understood for the first time in my life what being a foreigner or according to those days a stranger in another country really meant ,it was the spring of 2001that we managed to pull together a trip the united states well it was quite an experience for me after all it was America the trip like every long distant and long lasting vacation (well to me it seemed like a vacation but to my parents especially my father he was on business ) had its ups and downs any way we had the chance to see the twin towers almost 3 days before the disaster. But to me America was something more that big cities, amazing sky scrapers and lots of food to me America wasn’t that mean that I had expected and at the same time it wasn’t such a dream land either to me the united stats was a place that no matter what culture you had you could climb the statue of liberty and by standing on the crown of lady liberty believe that you are on the top of the world America was a place that you had to search for American looking faces the people in you daily life like the grocery man or the cleaning lady your door man and etc. were all either Mexicans ,Afghans ,Chinese ,Arabs and etc so frankly you didn’t feel left out as foreigners more amazing that unlike many countries with a high population of immigrants that most migrant are occupied in low budget jobs in America there are many Iranian, Indian, Afghan and etc doctors engineers lawyers and journalists I must admit that the for me America was not the big bad wolf in fact I felt pretty good (well I admit not as safe and sound as I do in Tehran but it was a felling more than ok) but a few days after our visit to new York and after the terrible tragedy suddenly all that changed in a way that made me believe there is absolutely NO place like home .
It was in those days that I felt what it is like to stared at to be frightened all though I was never called a terrorist or a Nigro (back to the days were being black was a big mistake ) but still I didn’t fell as welcome as I did without blaming anyone.
Days past and I came back home and forgot about the feeling of post 9/11 in the united sates until in 2005 after watching the Oscars I managed to see the best picture of the year named crash a film that managed to make me remember the felling I had 5 years ago
Directed by: Paul HaggisWritten by: Paul Haggis, from his storyCast: Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, William Fichtner, Brendan Fraser, Terrence Dashon Howard, Ludacris, Thandi Newton, Ryan Phillippe, Larenz Tate
A Brentwood housewife and her DA husband, A Persian store owner, two police detectives who are also lovers. An African-American television director and his wife, A Mexican locksmith, two car-jacker, a rookie cop. A middle-aged Korean couple…They all live in Los Angeles. And during the next 36 hours, they will all come together...
But not that kind of Christmas gathering that brings joy or a parade that make you united just standing in a line a kind congregation that can only happen in multi cultured countries like the America.
Crash explains the complexities of racial conflicts in the united stats. The first shot of the film focuses on a car crash scene and the fighting of two women one and Mexican American police officer the other a Japanese women from the very first scene you can tell that the film is not aiming to give you a pleasant evening or afternoon this film is aiming on your conscious and emotions . Crash involves several different races in its context African Americans, Mexicans, Asians which in each of these races a story of racism and unfairness which at the end all of them lead to prejudice and obsession.
In the film there are two young African American boys (the rapper Chris “Ludacris” Bridges) and Peter (Larenz Tate)) which seem to have a kind of narrative role all along the film these two young men argue mall along the film the more aggressive one the rapper Chris “Ludacris” stars bringing up the conflicts and negative views that moist of the black community in the united states have he starts pointing out to the most simple facts in the Los Angeles area and turns them in to severe racial issues . Facts like big bus windows which he sees them as a way to control the behavior of the black in public places like a bus, or he starts analyzing the looks of different people like the housewife (Sandra Bullock) and her DA husband (Brendan Fraser) which led to their car being high jacked…..
over all the way crash attends to the problems of racism in the USA is quite interesting but here in this end of the globe the Iranians had made quite a connection n with the film well not that we hadn't been mentioned in holly wood cinema before there were films like" The house of sand and fog" {(2003) directed by Vadim Perelman } which even an Iranian actress (Shohreh Aghdashloo) was nominated for the Oscars but in crash the connection was different well our first generation of immigrants which in this film was the father( Shaun Toub) of the family still was represented as an aggressive an unsatisfied character ,well we cant den the un satisfaction part for mist of the Iranian immigrants especially these with low profile jobs and forced migrations but as an Iranian I see crash an unfair movie to us there are many Iranian especially in the La district who are really left out of the film well call me nationalist if you want but I think we do deserve a fair hearing ion the movie and more representatives like the blacks and Mexicans got in Crash if we saw a black high jacker we saw a black women in charge of a senior health company , the women that was the DA's assistant or the TV producer I'm not trying to be paranoid or even picky but you if your not an Iranian you don’t know how it feels to hear you language in a international and Oscar winning movie you just want to have a chance to say well we may get angry like any one else but hey we do have reasonable (not that Farhad's anger in the film was unreasonable) and mature individuals like Farhad's daughter which was educated and wise enough to put fake bullets in the riffle in our community as well the next thing that bothered me was the role of Farhad wife you see in Iranian families may me male oriented ones but the mother of the family usually has A very key role in every situation unfortunately we saw the same mistake in The house of sand and fog that the Iranian mother is a sobbing weak and unstable character which her whole world is around her husband and kids , the last part maybe true but its not that they are weak because of it the Iranian mother is a very strong and reliable figure that in moist families may not have the final world but she definitely ones the important and key words of her families daily and important routines.
Of course the film made a good impression on Shereen (Marina Sirts) the daughter (next generation) of the family but in my opinion it wasn’t enough
but over all I found crash a fair film I liked the screen play and the performances a lot but the most important thing about this movie was the new context it brought to Hollywood the context of a America that can not rely on its usual icons like Bogart, MacDonald and etc for being recognized any more an America which is so multi cultured now that many people call it Home you have to decide whether they are wrong or right.
A few words about the director:
born: Canada,March 10 1953
Paul Haggis, who is fifty-two, was born in Canada; he crossed the border into the America in his early twenties. For many years, he worked successfully in American television, and was responsible for, among other things, the short-lived but much-appreciated series “EZ Streets.” A few years ago, Haggis, working with his friend Bobby Moresco, wrote the screenplay for “Crash” on spec. Most writers who have been around as long as Haggis wouldn’t write anything—not even a thank-you note—on spec, but the virtues of working this way are obvious enough: “Crash” was created freely, without the usual anxieties that shape big-budget films. The screenplay then attracted a number of people eager to take some chances, including the star, Don Cheadle, who helped raise a production budget of $6.5 million, which is roughly one-tenth the budget of the average Hollywood studio feature. Yet “Crash” doesn’t look small. Haggis, in his first outing as director, has put together an extraordinary cast, and the stories are set high and low, in Brentwood and the ghetto, among cops and civilians, the young and the decrepit elderly[1].
[1] http://www.newyorker.com/critics/cinema/?050502crci_cinema









